Travel photographer Blaine Harrington makes an enormous effort to research the many countries he visits, but what he likes best is sharing his experiences.

If you run into Blaine Harrington — maybe in an airport — do him a favor and ask him where he's been lately. He says he comes back from globetrotting photo shoots excited to share his experiences. That exuberance comes through the lens into award-winning photographs that have kept him happily in the business of travel photography for many years. It's a career that's equal parts adventure, good planning and desire to...

Office and Home: Corales, N.M.

Upcoming titles: Our National Parks, with text by Ruth Rudner; Arizona, with text by Lawrence Cheek; and National Parks of New Zealand.

Recent Exhibits: Reed Photo-Art Gallery, Denver; Mountain Light Gallery, Bishop, Calif.; Santa Barbara (Calif.) Museum of Art; Phoenix Art Museum, with Ansel Adams and Jack Dykinga. Sponsored by Arizona Highways, this last exhibit also was shown at the University of Arizona's Center for Creative Photography and the Museum of Northern Arizona.

Website: muenchphotography.com

A David Muench photograph seems to contain two messages. One comprises the setting, the earthly elements being featured, and the light. Then you are pulled into the scene, invited to feel the grandeur and the detail, and breathe the atmosphere. You are asked to revere the place and hear its message. This is the second communication from the photographer, a sharing of his perception and inspiration.

"What I aim for, I couldn't put it in words for a long time," Muench says with more pragmatism than modesty. "I'd rather speak through images." However, over the course of more than four decades as a working landscape photographer, with thousands of images published in a dizzying array of freelance projects, he has found a language for his inspiration...

Office: Littleton, Colo.

(agpix.com/bharrington.com)

Gear: Nikon F100 and F4 bodies, Nikkor 20-35, 35-70 and 80-200mm zooms; Nikon flash and Lumedynes; Bogen carbon fiber tripods.

Film: Primarily Fuji slide films, including Velvia, Velvia 100...

The photographs of Natalie Fobes help to illustrate the forgotten stories of the world’s indigenous peoples.

Want to give back to the profession? How about creating a funding mechanism so that photographers can do valuable documentary work. Thinking about humanitarian goals? Perhaps you should self-fund a trip to show the ravages of a massive oil spill, or a native people's disappearing way of life. Did you recently resolve to do more good with your life? Take a lesson from Seattle photographer Natalie Fobes.

Photographing endangered environments and cultures, crafting multimedia educational projects and supporting other photographers in such efforts have earned Fobes the...

All photographers have been in tough spots: The camera misfires as the receiver catches the ball, or some idiot steps in front of you just as the president hugs the intern. It's the old story of the Shot That Got Away. Adventure travel photographers can trump those stories — in spades.

Picture yourself around a table with four accomplished—OK, famous—photographers. You're at one of those tropical open-air bars, buying rounds. It's late. Here come the stories.

Experience with model testing and a love of theater combine in this "almost spontaneous" mid-1999 shot by Seattle photographer Michael Doucett. His subject is Zaza, one-third of the clown troupe Los Excentricos, traveling performers then appearing with Teatro ZinZanni in Seattle. Doucett was photographing the ZinZanni cast for Resonance, a local arts magazine.

"I do have a connection to these circus people," says Doucett, 33, a Tacoma native. "My family is all involved in the arts: professional artists, makeup artists, musicians...

Restlessness and patience may seem like conflicting traits, but for Nevada Wier they are driving forces behind a successful travel photography career.

"I travel to have experiences, and the photography aspect heightens that, because the camera forces me to come in closer, become involved and notice what people are doing," says Wier. "I'm trying to capture on celluloid one instant or feeling or action or moment in their lives that has to be fairly poignant."

From a 1978 Nepal trek to a 1999 river expedition on the remote Blue Nile in Ethiopia, Wier has been journeying to obscure places and soaking...