Braided River has released photographer Amy Gulick's latest ecosystem photo book, "Salmon in the Trees: Life in Alaska's Tongass Rain Forest." In the book, Gulick's images are partnered with essays and research from leading scientists, conservationists and journalists, who pose the question "How long can the biological riches of the Tongass withstand the global demands for timber, seafood, and minerals?" Contributors include...

Robert Glenn Ketchum, a fellow with the International League of Conservation Photographers, was featured in the March/April issue of American Photo magazine as the fifth photographer to appear in the publication's Masters Series. To date, Ketchum is the only photographer in the series whose imagery is based mostly on the natural world rather than on people, fashion and...

Amy Gulick won the 2008 Philip Hyde Grant for her work in Alaska's Tongass National Forest. The award was presented by the NANPA Foundation, an offshoot of the North American Nature Photography Association.

Gulick, of North Bend, Wash., is a photographer and writer specializing in conservation and natural history.

Her project will use photography to educate the public about why protecting the remaining intact watershed areas...

Mountaineer and aerial photographer Bradford Washburn died of heart failure Jan. 11 in Lexington, Mass.

Washburn was born in 1910 in Cambridge, Mass. In 1933, he graduated from Harvard University and served as an instructor at Harvard's Institute of Geographical Exploration from 1935 until 1942.

Throughout his 60-year career, he traveled extensively, and his aerial images of peaks and glaciers...

One of the oldest surviving explorers and adventurers of the 20th century, Bradford Washburn, has published his autobiography. Now in his 90s, Washburn looks back on his multifaceted career, which includes pioneering work in aerial photography in Alaska’s mountains, 13 first ascents of Alaskan peaks and a decades-long relationship with the National Geographic Society. The autobiography also offers rare photographs and little-known anecdotes about Washburn’s World War II service and other explorations...

As it does once every two years, our editorial focus this issue returns to studio photography. As we researched stories focusing on individuals and the industry, it became clear that these photographers, regardless of their specialty, have one thing in common: They make photos rather than just take them.

The photographers we present in these pages are masters of premeditation with an obsession for detail. From concepts to completion, they use time-tested skills as a foundation for cutting-edge lighting, exposure and post-production techniques. Without exception, they inventively capture their clients' desires on film, and often deliver much, much more.

Our thanks to all the featured photographers (and their staffs) who cheerfully cooperated in presenting their work...

Jeff Schultz, one of Iditarod's two official photographers, will mark his twentieth year chronicling the race when the dog sledding teams leave Anchorage next March. Originally a portrait and wedding photographer, he was swept up in Iditarod fever after shooting a portrait of the charismatic Joe Reddington Sr., a founder of the modern race who passed away last year.

That seed planted in Iditarod's early days has blossomed into an Alaska-focused career for Schultz, who now shoots editorial and corporate assignments and owns the the stock agency Alaska Stock Images at alaskastock.com. Schultz himself regularly shoots outdoor and adventure stock in addition to his annual coverage of Iditarod.

Much has changed since the race first reached Nome in 1973, and since 1981, when Schultz hired a pilot on his own first year on the trail, and "could only afford to fly the trail half way." More teams, more media, and more machinery have turned the Iditarod into...